ELLIE DAVIES, Nebulae
Opening 17 January 2018 h 7 p.m., Via Argelati n° 24, 20143 Milano (MI)
Until 15 April 2018
Galleria Patricia Armocida is proud to present the first Italian solo exhibition, Nebulae, by British photographer Ellie Davies; opening on Wednesday, January 17th at 7:00 PM. The artist will present fourteen medium and large format color photographs.
The Latin word nebula still evokes a sense of mystery that envelops and shrouds much like fog. But at the same time, the scientific meaning of the word is “an interstellar cloud of dust”. The two meanings of this word meld in the series of photographs selected for this exhibit.
Ellie Davies’ photos are set in UK forests, a place where nature, culture, landscape, and human activity merge, and explore the complex interrelation between the landscape and the individual.
As the artists states: “UK forests have been shaped by human processes over thousands of years and include ancient woodlands, timber forestry, wildlife reserves, and protected Areas of Outstanding Natural Beauty. As such, the forest represents the confluence of nature, culture, and human activity. Forests are potent symbols in folklore, fairy tale and myth, places of enchantment and magic as well as of danger and mystery. In more recent history, they have come to be associated with psychological states relating to the unconscious”.
Nowadays, most people live in urban or semi-urban environments, and view nature from a distance, through the filters of technology and various media. From this standpoint, nature and its sensual roughness, our being in it instead of outside of it, seem out of reach. Ellie Davies tackles this distance by luring viewers into the heart of the forest which offers mystery and the possibility of discovery and exploration.
Her creative process involves spending large chunks of time isolated in the silence of the woods. Though this is initially disorienting, it allows the artist develop a more keen sense of the universe around her, enabling her to profoundly grasp the surrounding space and its elements, hence revealing its potential and captivating the viewer. As the artist says: “I want my work to make the viewer experience the sensation of being alone in the woods. There is a tension and quiet, a heightened awareness that comes in the forest, and it is this that I want to transmit in my work and the reason why I work alone when I make my images”.
Part of the mesmerizing allure of her photographs comes from the crystalline stillness of the elements within. The majestic and profound space spreads through evocative and magical elements which invite viewers to contemplate nature and alludes to a menacing happening. In order to accentuate this effect, the photographer uses the woods like a studio space, setting up the shot through site-specific interventions: “These altered landscapes operate on a number of levels. They are a reflection of my personal relationship with the forest, a meditation on universal themes relating to the psyche, and call into question the concept of landscape as a social and cultural construct. Most importantly they draw the viewer into the forest space, asking them to consider how their own identity is shaped by the landscapes they live in”.
For the Nebulae exhibition showing at Galleria Patricia Armocida, a selection of photographs from the artist’s three emblematic series will be on display:
In Between the Trees (2014), the use of artificial lighting and smoke machines allows the artist to convey her experience of being alone in the woods. The smoke fills the spaces between the trees reflecting this physical experience: palpable and brooding cognizance of the forest, the muffled and flattened sound, the prickling sense of heightened awareness.
While Stars (2014-2015) consists of ancient forest landscapes interposed with Hubble Telescope images of the Milky Way and Nebula NGC 346. The typical viewer-subject relationship and landscape-object relationship is disrupted in order to make the landscape the absolute protagonist, a source of wonder and awe.
With the Smoke and Mirrors (2010) series, the artist explores the complex interrelationship between landscape and beauty, and the notion that our understanding of landscape is constructed. In doing so it subverts the notion of beauty as truth, and references wider issues of authenticity within photography.
As the artists states: ”My work places the viewer in the liminal space between reality and fantasy, creating a space which encourages viewers to re-evaluate the way in which their relationship with the landscape is formed and the extent to which it is a product of cultural heritage or personal experience”.
The dream-like compositions of Davies' photographs encourage this introspection and they offer us the space and tranquility necessary for meditation on our human condition.
Ellie Davies (London 1976) lives in Dorset. She grew up in the New Forest area in southern England and completed an MA in Photography from the London College of Communication in 2008. Throughout her career, she has been shortlisted for The Aesthetica Art Prize 2016, was a 2017 Celeste Prize finalist, and is the recipient of numerous awards including Kontinent Award (2014), Art Gemini (2014), International Juried Exhibition (2012), Lens Culture International Exposure Awards (2011), and PX3 Paris Prix de la Photographie Paris Awards (2010). Her photographs have been shown in Arles Photo Festival in France and are held in private collections in the UK, USA, Central and Eastern Europe, South Korea, Hong Kong, Russia, and The United Arab Emirates. Her works have been published in numerous books including WUD: Four Fictional Walks in the Woods, a limited edition hard-covered book published by Tangerine Press, and Behind the Image by Natasha Caruana and Anna Fox published in 2012.
Some more notable solo shows: Half Light, Roe Valley Arts and Cultural Institution, County Londonderry, Great Britain, 2017; Into the Woods, Crane Kalman Gallery, London, 2016; Stars, Sophie Maree Gallery, Den Haag, Netherlands, 2015; Into the Woods, Richard Young Gallery, London, 2012; Come with Me, Print House Gallery, London, 2011; New Landscape, LBi Gallery, London, 2011; Smoke and Mirrors, 10GS Gallery, London 2011; Ellie Davies at Bayeux Imaging, Bayeux Imaging, London, 2011; Ellie Davies New Landscape, Brucie Collections, Kiev, 2011.
Some important group shows: Water, The Center for Fine Art Photography, Fort Collins Colorado, USA, 2017-2018; Magnum Photography Award, Photographers Gallery, London, 2017; The Celeste Prize Exhibition, Bargehouse OXO Tower, London 2017; Her Feet Planted Firmly on the Ground, Houston Center of Photography, Houston, Texas USA, 2017; Singapore International Photography Festival, Beauty World MRT Station, Singapore, 2016; Royal Photographic Society 158th International Print Exhibition, Great Britain and Ireland, 2016; Summer Exhibition, Royal Academy of Arts, London, 2015; Fraction of a Second, University of New Mexico Art Museum, Albuquerque, USA, 2015; Outside, A.Galerie, Paris and Brussels 2015; Barcelona International Photography Awards Top 50, Valid Foto BCN Gallery, Barcelona, 2015; Uncertain States, Four Corners Gallery, London, 2014; Forest Stories, Krasnodar Central Park, Krasnodar and Illinskii Forest Museum, Illinskii, Perm, Russia, 2014; The Shot I Never Forgot Exhibition, Vantage Point Gallery, Brighton 2014; Inside Out, PH21 Gallery, Budapest, 2014; The Open West 2014, The Wilson Gallery, Cheltenham, Great Britain, 2014; 3rd Singapore International Photo Festival, Art Science Museum, Singapore, 2012; Forest Stories Exhibition , Forest Stories Autumn, Moscow 2012.