Questo sito o gli strumenti terzi da questo utilizzati si avvalgono di cookie necessari al funzionamento ed utili alle finalità illustrate nella cookie policy. Se vuoi saperne di più o negare il consenso a tutti o ad alcuni cookie. Chiudendo questo banner, scorrendo questa pagina, cliccando su un link o proseguendo la navigazione in altra maniera, acconsenti all'uso dei cookie. X

Galleria Patricia Armocida Logo

FINOK, Sorrir e Chorar

Opening 23 September 2015 h 6 p.m.,

Until 27 November 2015

FINOK, Sorrir e Chorar

24 September - 27 November 2015

Galleria Patricia Armocida presented Sorrir e Chorar, the first solo exhibition in Italy by the Brazilian artist Finok, that opened on Thursday, September 24th 2015.

This exhibit included six medium-scale mixed media works on canvas and wood, fiftteen drawings, five sculptures, and three site-specific installations.

In the past 10 years Raphael Sagarra, aka “Finok”, has established himself as one of the most prolific names on the streets of São Paulo, the megalopolis which has been the epicenter of South American graffiti culture since the 90s. His works expand on elements from Brazilian folk culture, weaving them with his own personal vision.

Finok places the subjects of his canvases into visually striking contexts, creating patterns with wood, often layering different planes, punctuating the surface. The geometric patterns and textures are reminiscent of Pipas and Baloes, traditional folk handiwork made by overlapping pieces of colored paper. Pipas are handmade fighter kites whose strings are coated with glue and glass shards in order to cut down opponents’ kites. Behind what seems like an innocent game actually lurks a violent nature which turns into a battle for survival. For the artist, it represents a way of preparing for the perils that come with adult life.

The creative force and desire to go beyond one’s limits through style and dexterousness can also be found in Baloes, paper balloons propelled by fire. Rival clans spend months building gigantic balloons in order to show off their superiority to their community and beyond. This activity, now illegal as it causes feuds and fires, masks a poetic aspect: enormous effort put into something so fleeting, waiting for a balloon to fly for a mere 10 minutes before it disappears into the sky. This tradition has religious origins from colonial times and celebrates saints whose feast days are in June. A universe of beliefs and devotional customs, present in Brazilian religious syncretism, is expressed through the religious masks and shrines that often recur in Finok’s works.

Sorrir e Chorar (smile and cry), the title of this exhibit, presents two sides of the same coin. Smiling doesn’t only represent happiness, crying doesn’t only represent sadness. Human behavior hides duplicity and various meanings, often incoherent, based on what we want to convey and what we have always believed in. Contradictory and coexisting feelings, opposing emotions that merge together in the artist’s paintings, sculptures, and installations, a reflection of a city steeped in contrasts like São Paulo.

Raphael Sagarra, aka Finok, (1985) is a Brazilian artist from São Paulo who entered the world of graffiti at a young age with the famous VLOK crew, founded by and comprising Os Gemeos and Nunca, to then make his way into museums and galleries worldwide. Some recent solo shows: Finok-Tropical Miscegenation, Lazarides Rathbone, London, 2016; Sorrir e Chorar, Galleria Patricia Armocida, Milan, 2015; O Enterro do Galo, Lisbona, Portugal, 2015; Despacho, Smith Galeria, San Paolo, Brazil, 2013; Finok, Ruttkowski gallery, Cologne, Germany, 2012.

Group shows: Artmossphere Biennale, Moscow Museum and Exhibition Association Manage, Moscow, 2016; Cruel Summer, Jonathan Levine Gallery, New York, USA, 2014; Graffiti Fine Art International Biennial, Brazilian Museum of Sculpture (MuBE), Brazil; Namaste India' – Ise & Finok visiting India, New Delhi, 2013; Coyo, Ise, Finok, Os Gemeos, Art-Pack, Museu Colecção, 2009.


Sorrir e Chorar